Saturday, January 13, 2007

From The LoHud Yankee Blog:

Further proof that it's Derek Jeter's world and we're all just living in it



This would be the Captain on vacation in Puerto Rico with the lovely Jessica Biel. Unable to meet any sportswriters, Miss Biel settled for a shortstop.

Nice to see that Derek is preparing for the season with a little volleyball.
From The Chicago Sun-Times:

Love them do
BY JEFF ELBEL

The Beatles continue to scale the charts in 2007, with the "Love" remix/mashup CD firmly ensconced in Billboard's top 10 albums list. The Giles and George Martin-helmed sonic pastiche was certified platinum within a month following its Nov. 21 release.
Beatles tributes are everywhere else, too:

• Jason Falkner saw success with his lullaby album, "Bedtime With the Beatles."

• Matthew Sweet and Susanna Hoffs added a summery version of "And Your Bird Can Sing" to their duet album, 2006's "Underneath the Covers."

And while the many multi-artist compilations and kitschy genre projects, like the bluegrass "Pickin' on the Beatles" series, can seem like crass attempts to cash in, this month's "Meet the Smithereens," is a treasured rarity -- an ingenuous labor of love, which doubles as inspiring, lighthearted fun.

The New Jersey-based Smithereens achieved international success in 1986 with the album "Especially for You," featuring the singles "Blood and Roses" and "Behind the Wall of Sleep." The group's music is still characterized by its extremes, with Black Sabbath-style riffing during hits like "A Girl Like You" (from the disc "11") at one end, and the buoyant British Invasion sounds of early Who, Kinks and Beatles at the other.

With its lineup intact after 27 years, frontman Pat DiNizio (who has family ties to Chicago) plans a fresh album of Smithereens originals later this year. Meanwhile, the band emphasizes its pop side with "Meet the Smithereens," a track-by-track cover of the Beatles' 1964 American debut, "Meet the Beatles."

Q. What was your first experience with "Meet the Beatles"?

A. Capitol released the original single for "I Want to Hold Your Hand" on Dec. 26 of '63, so I probably heard it the first week of January '64. I remember standing on the stool in the bathroom of our home in Scotch Plains, N.J., brushing my teeth and listening to my tiny red transistor radio [tuned] to WABC-AM out of New York City.
There was a DJ named Herb Oscar Anderson, who I listened to every morning as I went through that ritual of cleaning myself up for school. He was joking about a record he was about to play by a group with the ridiculous name of "The Beatles." When I heard the first notes of "I Want to Hold Your Hand," I literally dropped my toothbrush. It was as though I was listening to some strange radio transmission coming from the moon.

Q. How did the ensuing wave of Beatlemania impact you?

A. Like every other kid in America who saw the Beatles on Ed Sullivan in February of 1964, it fueled my desire to be in a band. There was nothing cooler. Somehow we were able to do it, and we're still doing it. For that kid who was obsessed with the Beatles to later find himself on Capitol Records, the Beatles' label, was a dream come true.

Q. Did that connection ever allow you access to your heroes?

A. That happened in September of 1990 in New York City at the Lone Star Roadhouse, where I found myself onstage jamming with Paul McCartney at one of his Buddy Holly Week events. I was invited to perform because I'd written a song for "11" called "Maria Elena," about Buddy Holly and his widow. Paul and Linda were there, and we met them. They knew everything about the band. It was truly mind-blowing, and not lost on me one bit.

During an all-star jam that closed the evening, I got to play bass while Paul sang "Lucille" by Little Richard. And who am I? I'm just a guy from a small town in Jersey, that was a garbage man until a week before we went on the road to support "Especially for You."

Q. Why did you decide to cover an entire album, rather than various Beatles songs?

A. Anybody can do a Beatles greatest hits tribute album. And there have been a lot of discs where, for example, various artists do the entire "Rubber Soul" album. Those don't interest me, because there's no continuity from song to song.
For me, and for a lot of other folks, "Meet the Beatles" was arguably the most important rock 'n' roll album ever released -- not "With the Beatles," which contained about eight cover tunes, but "Meet the Beatles," wherein 11 out of 12 songs were very unique original compositions. In a sense, it's the Beatles' purest album. It's the Beatles unadorned, without any studio gimmickry or a lot of production. That's those guys in the studio playing their hearts out. For the Smithereens, being the purist rock 'n' roll band we are, this was the Beatles album to interpret in Smithereens style.

Q. How was the recording experience for "Meet the Smithereens"?

A. We had a ball making this record, but it was very challenging. We felt a tremendous responsibility to do justice to this material. To my way of hearing things, we did as good a job as we could do with it. That album is part of the collective DNA of the Smithereens.

Q. Given your lifelong familiarity with the music, did that make the process difficult?

A. The material sounds deceptively simple. These songs are enormously complicated for guys that were 21 years old when they wrote them.

Q. What's your take on the Beatles' new "Love" release?

A. Some of the moments made me well up with tears. Will it hold up to repeated listening? I liken it to how many times these days I'll have a bowl of ice cream -- very rarely. It has to be listened to with the proper context; it's the soundtrack to this lavish [Cirque du Soleil] multimedia presentation. In that setting, I would bet that it's amazing.
Listen to "Something." It's really, really beautiful. There are subtleties that are brought out. I think that what "Love" does is that it opens the door for 5.1 remixes of all the [Beatles'] records, which would be a remarkable thing. You're right in the room with them.

Jeff Elbel is a Chicago freelance writer.

Smithereens, Meet the Beatles
By Richard Harrington

Washington Post Staff Writer

Friday, January 12, 2007
Turns out making "Meet the Smithereens!," a song-by-song cover of "Meet the Beatles!," is a logical move for the New Jersey quartet whose leader, singer-songwriter-guitarist Pat DiNizio, recalls how his life was affected by its central single.

"I first heard 'I Want to Hold Your Hand' one morning as I was brushing my teeth, preparing to go to school -- third grade! -- and I remember how stunning it was," DiNizio says. "I dropped my toothbrush, and it was as if I was hearing for the first time some strange new music from another planet."

The "I Want to Hold Your Hand/I Saw Her Standing There" single was officially released Dec. 26, 1963, "Meet the Beatles" on Jan. 20, 1964, just a couple of weeks before the Beatles Came to America -- an event worthy of capitalization. Technically, it wasn't the Beatles' first album here (Vee-Jay's ignored release, "Introducing the Beatles," had come out six months earlier), but it was the most Beatle-y, with only one cover. DiNizio further distinguishes "Meet the Beatles" from its cover-heavy British counterpart, "With the Beatles."

"This was the genuine article," DiNizio says, "with 11 out of 12 songs that were strange, minor-key, very odd rock-and-roll originals that changed things forever."

The album, the Beatles' seminal performances on "The Ed Sullivan Show," the historic Washington Coliseum debut all helped "spawn a lot of great American groups that influenced the Smithereens -- the Byrds, the Beau Brummels and so forth," DiNizio says. "And they also lifted the country out of the funk it seemed to be in after the Kennedy assassination, which is why I believe 'Meet the Beatles' is historically the most important rock-and-roll album ever released in America. It just started a cultural revolution that hasn't stopped."

Still, the cover album came about in typically Smithereen-y fashion: Last year, the band was invited to perform at Abbey Road on the River, a Beatles festival in Louisville. "Someone had seen us do Beatles songs as encores and was impressed, and they asked us to do a whole set of covers live," DiNizio explains. "We knew the tunes, and it was one of those nights where we could do no wrong. And then people began to demand Smithereens material as well, so we got a chance to do both and realized there was some crossover between the Smithereens audience and the die-hard Beatlemaniacs."

Soon after, DiNizio started getting e-mail from fans suggesting the band record an album of favorite Beatles songs. "We were intrigued enough to solicit advice on what their song 'wish list' would be -- and it turned out to be daunting because it was all over the map. How do you go from Beatles phase to Beatles phase with those ever-changing production values and still make it sound like the Smithereens?"

The idea of covering "Meet the Beatles" crystallized after DiNizio came across the October 2006 issue of American Heritage magazine titled "1964 -- When a New Age Was Born." The resulting album, recorded in five days in November, "sounds like us, sounds like them . . . sounds retro but also sounds new," DiNizio says. "It was done with the proper amount of reverence and respect for not only them but ourselves."

It was 1980 when the impact of "Meet the Beatles" played out in the lives of DiNizio and three high school friends: bassist Mike Mesaros, drummer Dennis Diken and guitarist Jim Babjak. As the Smithereens, they earned good notices with a pair of EPs (1983's aptly titled "Beauty and Sadness" became a No. 1 import in several European countries), but success was slow in coming. DiNizio might have been having second thoughts about giving up his job in the family business driving a trash truck in home town Scotch Plains, N.J., a job he'd kept until the Smithereens went on their first tour.

"I was driving a truck and working sound at Gerde's Folk City in New York at night, Mike was working in a factory loading boxes and the others weren't in what anyone would call pleasant jobs," DiNizio recalls. "It was mind-numbingly dull and boring, so I always had a melody in my head and kept a tape recorder, pen and notebook in the cab of the truck." In fact, the group's breakthrough song, "Blood and Roses," first took form along the trash route. According to DiNizio, the bass line was written "coming home from Folk City as the sun was coming up and I was walking in the cold rain -- it matched the tempo of my stride. I completed it in the garbage truck." The song appeared in 1986 on the Smithereens' debut album, "Especially for You," produced by Don Dixon (R.E.M.).

The band's hook-laden sound, with tight guitar interplay and vocal harmonies, recalled the Merseybeat, but the feeling in such songs as "A Girl Like You," "Too Much Passion," "Only a Memory" and "Behind the Wall of Sleep" was also full of foreboding. Thanks to college radio and early support from MTV, the Smithereens had a good run into the early '90s, only to fade from public consciousness with the onset of the grunge era. The band's last album was 1999's "God Save the Smithereens."

But a decade of near-constant touring built up enough brand loyalty that the band gets together to play about 50 dates a year, mostly on weekends, a mix of private corporate events, festivals and clubs. Ironically, DiNizio says, "we do better in terms of the bottom line these days than in our more active period. There's no crew, no tour buses, no extra equipment, no semi with P.A. and lights. We fly to gigs with our guitars, and the back line [rented drums and amplifiers] is always the same wherever we go."

DiNizio, who has continued to offer solo CDs, DVDs and downloads on his Web site, lived in Washington for three years in the late '90s while working as program director and host of XM Satellite Radio's "XM Unsigned," the first national radio station to focus solely on the music of unsigned bands, emerging artists and independent record labels. In an odd job segue that might have extended his stay here, DiNizio then ran for one of New Jersey's Senate seats, challenging Republican Rep. Bob Franks and Democratic multimillionaire Jon S. Corzine as a Reform Party candidate.

"I got a little more than 1 percent [of the vote]," DiNizio says. "Considering that I managed to raise $8,000 [in campaign funds, from a kegger concert], I would say I got a bigger bang for my buck than [winner] Jon Corzine, who, I was told by the people who did his marketing, spent $96 million."

Concurrent with his Senate run, DiNizio embarked on his "Living Room Concert Tour," an idea generated by his work as a grant giver for Jim Beam Brands. One grantee, a musician from Washington state who needed money to refurbish her touring vehicle, explained she did house concerts, networking with fans online, driving to their homes, playing in people's living rooms and passing the hat.

DiNizio later learned that in folk and singer-songwriter circles, house concerts had been around for decades. "But my entrepreneurial wheels started spinning when I realized no one who'd been lucky enough to achieve any national prominence musically with a band or otherwise had attempted those sorts of things."

So he put word out on the Internet and two weeks later found himself doing "acoustic rock-and-roll concerts in the homes, back yards and living rooms of 90 Smithereens fans and supporters from coast to coast. I rented an SUV from Budget Rent a Car and set out on the road with just a couple of acoustic guitars and a small P.A., and it was one of the most joyous, life-affirming experiences of my life. I crisscrossed the country five times. When I returned that rented vehicle with those 50,000 'free unlimited miles,' they were not pleased with me!"

DiNizio didn't exactly pass the hat: For $2,000, he would drive to a fan's house, unload his guitar and a keg of beer, and play Smithereens requests. The story of both the house tour and his Senate race are told in Joshua Tunick's documentary "Mr. Smithereen Goes to Washington," which follows DiNizio's campaign from the day he filed his petition to place his name on the ballot to the final tally on election night.

The baseball cap DiNizio sported on the campaign trail served him again in July on ESPN's "7th Inning Stretch," which details his efforts at age 50 to make the Somerset Patriots minor league baseball team. Calling it "George Plimpton meets Ken Burns," DiNizio describes the show as "an exploration of baseball in America and following your dreams and your heart no matter how old you are" as well as "an attempt to fulfill a childhood dream that fell by the wayside when I decided to pursue music."

He did get some coaching from such baseball legends as Cal Ripken Jr., Tony Gwynn, David Wells and Don Mattingly, as well as from some sports-focused pals in music: "Gene Simmons, talking about the relationship between the immigrant experience and baseball . . . Joan Jett, who's a huge fan, as is George Thorogood . . . me and Bruce Springsteen playing baseball and talking about growing up in New Jersey and the relationship between rock-and-roll and baseball." A soundtrack is available on Koch, with some quirky extras, such as the Ramones' "Beat on the Brat (With a Baseball Bat)."

Now DiNizio has embarked on another, for now untitled, project that he calls a logical extension of "7th Inning Stretch," and he's looking for a hit.

"It's about my attempt to write the greatest album of all time with my songwriting heroes and mentors -- Barry Gibb, Neil Diamond, Elvis Costello, Billy Joel, Elton John, Jimmy Webb, Carole King. It will show people who are curious how songs are written, and you will hear the story of rock-and-roll and the evolution of the pop song in America as told by the people who created the songs."


From The New York Times:

Interpreting the Beatles

Without Copying

By
ALLAN KOZINN

Lately I’ve been wondering why, as a more than casual Beatles fan, I’m not interested in note-perfect covers by Beatles tribute bands, even though, as a classical music critic, I happily spend my nights listening to re-creations — covers, in a way — of Beethoven symphonies and Haydn string quartets. What, when it comes down to it, is the difference?

Obviously, this is something of a comparison between apples and oranges: we first heard the Beatles’ music on their own recordings, whose sounds are imprinted on our memories and are definitive. Our first encounters with, say, Beethoven’s Ninth Symphony were through performances that, however spectacular, have no direct link to Beethoven himself. Yet Beethoven’s score of the work is a detailed blueprint of how he expected it to sound, and any performance will be governed by that, allowing for interpretive leeway that may be subtle or dramatic. A cover band, hoping to reproduce the original recording, has less flexibility.

But a new album by the Smithereens shows how much interpretive leeway a rock band can have, even when it intends to perform faithful covers. The disc, “Meet the Smithereens!” (Koch), which comes out next week, reproduces the track lineup and, to a great degree, the original arrangements (at the original tempos and in the original keys) of the Beatles’ 1964 American breakthrough album, “Meet the Beatles!” But it does more: the 12 songs are filtered through the Smithereens’ own crunchy New Jersey bar-band sound, a quality likely to come through even more strongly when the band plays the album live at the B. B. King Blues Club and Grill tonight.

The Smithereens made their name playing their own material, but they have recorded Beatles songs before, and they have always had a soft spot for the concision and zest of British Invasion bands. So they approach this music as fans who know it intimately, but also as composers who know what makes a great song durable.

They are hardly the first to cover a complete Beatles album. Big Daddy recorded a doo-wop version of the full “Sgt. Pepper’s Lonely Hearts Club Band” in the early 1990s. Phish released a live performance of the complete “White Album” in 1994. In the late ’80s, the Slovenian art-rock band Laibach released “Let It Be,” a ponderous, reordered version of the Beatles’ album of the same name, albeit without the title track.

What makes “Meet the Smithereens” unusual is the degree to which, like a good classical performance, it balances fidelity to the original with a projection of the interpreter’s style. Typically, Beatles covers and pop covers in general are an interpreter’s art and emphasize the performer’s vision. After all, if you don’t have a distinctive perspective, even one as off the wall as Laibach’s, why should someone listen to your version instead of just playing the original?
Tribute acts, by contrast, are purely recreative. Their goal is to reproduce a band’s music rather than to make their own mark on it. The Smithereens acknowledge this world without quite joining it. These days, everyone from the Grateful Dead to R.E.M. has its own shadow specialists. But Beatles tribute bands have long been a global industry.

Many, though by no means all, borrow a page from the Elvis impersonators’ playbook and turn their performances into theater pieces. They dress up in period costumes, changing from short to long wigs, moving from collarless jackets to psychedelic outfits and affixing paste-on beards and mustaches as the show progresses. And they imitate the Beatles’ accents and jokey patter. (A band that takes this approach, 1964 the Tribute, is playing at Carnegie Hall on Jan. 27.)

I’ve never understood the appeal. When I saw “Beatlemania” on Broadway, in the late 1970s, I admired the stage band’s skill, but left the theater feeling I’d have been better off listening to the records and paging through old Life magazines. And watching other faux mop-tops trading on Beatles nostalgia over the years, I’ve always felt a little embarrassed for the musicians, who had clearly devoted significant effort to learning arrangements that in some cases were too complex for even the Beatles themselves to perform live, yet who were sublimating their personalities (and musicianship) to the business of role-playing.

Which is not to say that what they do is without merit; quite the opposite. For anyone who has listened closely to how the Beatles’ vocal and instrumental arrangements work, it’s hard not to admire the musicianship of bands that reproduce it accurately. Still, you could argue that at least some of the Beatles’ music — recorded layer by layer, carefully polished in the studio, and using tape loops, backward sounds and other innovations — is actually electronic music: the recordings are the score and the performance, self-contained, just as much as a tape work by Stockhausen is.

Even so, those recordings can be transcribed fairly precisely, as Tetsuya Fujita, Yuji Hagino, Hajime Kubo and Goro Sato demonstrated in “The Beatles Scores” (published by Hal Leonard in 1993), and those transcriptions can be learned and recreated live with startling exactitude, just as the score of a Shostakovich symphony can. And Glenn Gould’s manifestos about the death of the concert notwithstanding, there will always be something electrifying in a live performance that cannot be captured on a recording.

That live experience is something tribute bands offer that can no longer be had from the Beatles themselves (although Paul McCartney and Ringo Starr still perform their old hits on tour). For that matter, tribute bands offer something — quite a lot, actually — that the Beatles never did. Between late 1962 and the summer of 1966, the Beatles recorded 118 songs. But during their international touring years (starting in late 1963), they played a mere 33 songs in concert. The last album from which they played any material live was the 1965 LP “Rubber Soul”; thereafter, they recorded another 100 songs on six albums. With technology far beyond what the Beatles had (sampling keyboards, in particular), tribute bands can play them all.

That said, when a string quartet plays Haydn, it doesn’t set out to produce an unvaried copy of what’s in the score. The players make interpretive decisions about tempos, balances and tone color; ideally, a quartet’s reading will breathe differently from night to night, and will be distinct from a competing ensemble’s account. And except for the occasional misconceived children’s concert, quartets don’t don Haydn-era wigs and costumes, or adopt Austrian accents.

This is what I like about “Meet the Smithereens!”: it bridges the extremes of note-for-note fidelity and pure interpretation, offering the best of both worlds. The band has treated “Meet the Beatles!” as a symphony, a complete cultural artifact, to be heard intact. It barely matters that “Meet the Beatles!” was not quite the album the Beatles intended, but rather a compilation made by Capitol Records, using 9 of the 14 songs from the group’s British album “With the Beatles,” as well as three songs released as singles. For American listeners who discovered the Beatles at the time, as the Smithereens did, “Meet” has an emotional resonance that “With” does not.

The arrangements on “Meet the Smithereens!” have all the vibrant energy and directness of the originals, and even minor details like the keyboard glissandos in “Little Child” and the overdubbed handclaps on “I Want to Hold Your Hand” and “I Saw Her Standing There” are faithfully preserved.

Yet you wouldn’t mistake it for the Beatles, as you might with a tribute band. Pat DiNizio’s vocals have the dark, slightly flattened quality you hear on signature Smithereens songs like “Blood and Roses” or “A Girl Like You,” and if his guitar solos follow the contours of George Harrison’s, they aren’t slavishly identical.

Where the Beatles moved to acoustic guitars for “Till There Was You” — the only cover on “Meet the Beatles!” — the Smithereens opted to keep it electric, with a touch of distortion, and to abandon the saccharine quality that Paul McCartney brought to the vocal.

The guitar tone and effects, and the way the vocal harmonies are balanced on, for example, “This Boy” and “Hold Me Tight,” are the Smithereens’ own. And so are their accents. The album manages to scream Beatles 1964 and Smithereens 2007 all at once.

Thursday, January 11, 2007



Who Is Planning Our Next War?

by Patrick J. Buchanan
Posted Jan 09, 2007


As George Bush reflects on his legacy, an urgent question must be pressing in upon him each day.

Will I leave here as the man who launched failed wars in Iraq and Afghanistan that cost thousands of U.S. dead, to no avail? Or can I yet enter history as the Churchillian statesman who used U.S. power to save America and Israel from the mortal threat of atomic weapons in the hands of the Iranian mullahs?

Which legacy would Bush prefer? Or Cheney?

As Americans await Bush's address announcing a "surge" of 20,000 to 30,000 U.S. troops to Iraq, we may be missing the larger picture. The War Party is turning its attention from Iraq -- to Iran.

Nor is it simply an analysis of the character of George Bush that causes one to so conclude.

Tehran is now two weeks into a 60-day deadline to answer a Security Council resolution directing it to cease enriching uranium. While the sanctions are mild, the resolution passed unanimously and gives Bush the U.N. cover he used to wage war on Iraq. If Iran defies the United Nations, Bush will demand further sanctions. Up the escalator we go.

Moreover, a second U.S. carrier battle group is heading for the Gulf. More interesting, the new CentCom commander, replacing Gen. John Abizaid, is no soldier, but Adm. William J. Fallon, commander in chief of U.S. forces in the Pacific. What Fallon does not know about securing streets, he does know about taking out targets from the air and keeping sea lanes open in a time of war.

Bush may be sending signals, but the Israelis are preparing for war. The London Sunday Times reports that Israeli pilots have been making the 2,000-mile run to Gibraltar to train for strikes with bunker-busting nuclear bombs on Iran's heavy water plant at Arak, the uranium hexaflouride facility at Isfahan and the centrifuge cascade at Natanz.

Israel angrily denies the report. But, on Dec. 30, retired Gen. Oded Tira, who headed up all Israeli artillery units, burst into print with this admonition:

"As an American air strike in Iran is essential for our existence, we must help (Bush) pave the way by lobbying the Democratic Party (which is conducting itself foolishly) and U.S. newspaper editors. We need to do this in order to turn the Iranian issue to a bipartisan one and unrelated to the Iraq failure."

"Bush lacks the political power to attack Iran," writes Tira. Thus, Israel and its U.S. lobbying arm "must turn to Hillary Clinton and other potential presidential candidates in the Democratic Party so that they publicly support immediate action by Bush against Iran."

"The Americans must act," Tira concludes. "If they don't, we'll do it ourselves ... (and) we must immediately start preparing for an Iranian response to an attack."

According to UPI editor-at-large Arnaud De Borchgrave, Tira's line tracks the New Year's Day message of Likud superhawk "Bibi" Netanyahu, the former prime minister.

Said Netanyahu, Israel "must immediately launch an intense, international public relations front first and foremost on the U.S. The goal being to encourage President Bush to live up to specific pledges he would not allow Iran to arm itself with nuclear weapons. We must make clear to the (U.S.) government, the Congress and the American public that a nuclear Iran is a threat to the U.S. and the entire world, not only Israel."

Israel's war, says Bibi, must be sold as America's war.

We are thus forewarned. A propaganda campaign, using Israeli agents and their neocon auxiliaries and sympathizers, who stampeded us into war in Iraq, is being prepared to stampede us into war on Iran.

We are to be convinced that Iran, with no air force or navy to speak of, an economy not 2 percent of ours, which has not started a single war since the revolution, 27 years ago, is about to give to terrorists, to use on us, a nuclear bomb it may be 10 years away from even being able to build.

Will Congress be duped again into giving Bush a blank check for war? Or will this new Congress summon the courage to take the war option out of Bush's hands, to decide itself, for the nation, when, where and whether America should ever go to war against Iran?

Every presidential candidate should be asked: Does President Bush have the authority to attack Iran without specific congressional authorization? And would you support giving him that authority?

Needed today are courageous men and women of both parties who will introduce and pass a congressional resolution stating, "In the absence of a direct Iranian attack on U.S. forces or personnel, or an imminent threat of such an attack, President Bush has no authority to launch a pre-emptive strike or a preventive war on Iran."

If we are going to war, let us do it constitutionally, for once, and not leave it up solely to George W. Bush and Brother Cheney.







Murcer asks longtime fans
to pray for him


BY MARK HERRMANN

Newsday Staff Writer

January 10, 2007, 10:50 PM EST

Bobby Murcer made a direct request of the fans who have followed him from his days as a Yankees phenom through his tenure as a veteran broadcaster. In announcing that the brain tumor that was removed last month was malignant, he asked for their prayers.

Murcer is maintaining his usual positive outlook, according to friends, who are hoping for a miracle. "He knows there is a very difficult time ahead," said Marty Appel, a former Yankees public relations director who says Murcer has seemed like a brother for nearly 40 years. He spoke with Murcer Wednesday after the former player issued the statement about his Dec. 28 surgery.

Suzyn Waldman, a longtime friend and broadcast colleague and a cancer survivor, said: "I think he's got a great attitude. You have to keep that attitude when you go through this. You have to think, 'Keep me alive today because tomorrow something might change.'

"There have been so many miracles," she said. "You have to believe he's going to be one of them."

Murcer, 60, suffered from headaches throughout the 2006 season, Appel said. When they grew worse, he went for an MRI on Dec. 24 and that exam revealed a tumor. He underwent surgery four days later at the University of Texas M.D. Anderson Cancer Center in Houston, then went home to Oklahoma.

In the statement released Wednesday by the Yankees, he said: "I'm not having to battle this alone, but am fortified with the most loving family, an abundance of wonderful friends and fans and the very best class of physicians.

"I'm gaining confidence that with God and my faith leading the way, we will as a team put up an incredible fight. Please continue to send up prayers. That's all I can really ask of you at this time."

In typical understated fashion, Murcer did not elaborate on the seriousness of his condition.

"Bobby Murcer represents the spirit of the Yankees, and above all, he's my dear friend," George Steinbrenner said through spokesman Howard Rubenstein. "I know Bobby very well. He has true grit, is a fighter and our entire Yankee organization offers our prayers to him and his family for a big win in this battle."

Friends are sure Murcer can count on a lot of support, starting with his wife. "Everyone should have a Kay Murcer at their side," Appel said, adding that the backing will spread far and wide from there. "I know he was very active in BAT [Baseball Assistance Team], where his propensity for doing real good deeds for members of the baseball family has always been there. Now it's his turn."

Yankees fans developed a fondness for Murcer as a down-to-earth All-Star who spanned eras. He was their top attraction after his fellow Oklahoman, Mickey Mantle, retired. When Murcer retired in 1983, his place on the roster was taken by Don Mattingly.

He has been a friendly voice in the booth for years. Waldman recalled that when she was undergoing chemotherapy, had lost her hair and had to go before the camera in a wig, Murcer used to tell her, "You never looked better."

She said he joked this week about how his memory actually has improved. She reminded him about when she used to talk "hour after hour" about her struggle with breast cancer. "The hardest part is when you first wake up in the morning. You feel fine -- then you remember," she said. "I also told him, 'You know, you were there for me.' "

Copyright 2007 Newsday Inc.

Wednesday, January 10, 2007

From Human Events:

What's Worse Than Open Borders?
by Mac Johnson

Posted Jan 10, 2007

Look around you...

When the U.S. is trespassed upon at will by 15 million to 30 million illegal aliens, our border troops are under orders to flee from their posts if attacked, and the only thing upon which President Bush and Speaker Nancy Pelosi agree is the need for amnesty for brazen masses of immigration criminals, it would be easy to say that America has a de facto policy of open borders.

But upon reflection, it must be admitted that our current corruption is worse than open borders. For with a truly open border, oxymoron and nation-killer that that term may be, it could be expected that both the illiterate and the educated would pass easily across it. Likewise, the middle-class and the poor, the peaceful and the violent, the honest and the criminal, and the skilled and the unskilled would be expected to enter into our nation with equal facility.

Yet that is hardly the system we have had imposed upon us by our federal government—for many skilled computer programmers from India are kept out while they await their visas. Educated Chinese scientists cannot find cash-only jobs in our aerospace industry. And the honest of all nations are kept outside our country by their very honesty, except for the small portion of aspiring legal immigrants that, after much paperwork and time and expense, are admitted properly.

And while those who know they will pass background checks wait for them to be performed, while those who would bring the most value to our economy are held up in legal bureaucracy, and while the honest are shocked by the idea of paying criminal gangs to smuggle them across desperate deserts, our current system selects perfectly for their demographic opposites.

For those who are criminals, the border is open.

For those without degrees, the border is open.

For the violent, the dishonest, the unskilled, the destitute, the illiterate … the border is open.

And so they flow in by the millions each year—unfettered by the compunctions that keep out their moral betters, and undaunted by the need for unforged documents that keeps out their intellectual betters (for high tech businesses have too much at stake to play the “wink, wink, nudge, nudge” game with fake IDs and random Social Security numbers).

No, we do not have an open border. We have an anti-border.

Where a real border is designed to keep out the bad of the world and let flow in all its good, our anti-border keeps out the good and drowns us in the bad.

Where a real border is intended to politically define a distinct nation, our anti-border is intended to redefine that nation into something indistinct.

Where a real border is supposed to declare to the outsider and the would-be entrant, “Here begins a new set of laws,” our anti-border declares to them “Here begins whatever lawlessness you need to get by.”

With this selection process in place, we are supposed to believe that our economy is benefited?

It would be as if a world-class company suddenly stopped interviewing applicants for new positions and simply gave the jobs to whomever managed to break into the building the night before. While titans of industry brag that much of their success is attributable to picking good people and letting them work their talents in service of the common good (Jack Welch, I believe, once jokingly claimed to be the Chief Human Resources Officer of GE), our nation is pursuing the opposite approach.

We most heavily add to our national organization those that first break laws, fake their resumes, pay bribes, evade their taxes, communicate poorly, have few legitimate skills and disrespect our culture.

For people such as these, our borders are open, and amnesty is a civil right.

For the people we really need, however, our border is mockingly closed, and amnesty is just a word for their place being taken by some lesser man.

We have, in short, the worst of all possible systems.
STRIPPER LIED ... WHITE BOYS FRIED

by Ann Coulter

January 10, 2007

About a month after members of the Duke lacrosse team were falsely accused of raping a stripper last year, 88 members of the Duke faculty fanned the flames of hysteria by signing a letter announcing that they were "listening" to students "who know themselves to be objects of racism and sexism."

Maybe they should have been listening to the accused, several of whom had iron-clad alibis. Now the professors are going to need a new example of "racism and sexism" at Duke since their case in chief has turned out to be a fraud.

In lieu of a gang rape perpetrated by high-stepping white male athletes against a poor black woman, the Duke lacrosse case has turned out to be another in a long string of hoax hate crimes in which whites are falsely accused.

The lacrosse players denied that any rape had occurred and immediately submitted their DNA to the state, confident that the DNA would prove them innocent.

It did: Not a trace of DNA from any of the lacrosse players was found on the accuser, though this girl had more DNA in her than a refrigerator at a fertility clinic.

She had DNA from five other men, which ought to have raised suspicions about her story that she had not had sex with anyone for the week before the alleged gang rape. Well, that was one of the several versions of events the accuser has offered police to date, although my personal favorite was the one in which Elvis came back from the dead and sexually assaulted her. (I think that was version No. 3 — I'd have to check my notes.)

This is the second time this woman has accused a group of men of gang-raping her. One more time and it's officially considered a hobby.

And yet despite the vast privilege, untold wealth and bright shiny whiteness of the defendants, they are still under criminal indictment in this case. Three of the players face up to 30 years in prison for a crime every sane person knows they did not commit. Ah, the life of the privileged!

Duke English professor Cathy N. Davidson recently wrote an opinion piece defending her signing of the "listening" letter, noting that it was "not addressed to the police investigation," but rather "focused on racial and gender attitudes all too evident" after the alleged rape. She explained that the letter had merely "decried prejudice and inequality in the society at large."

This would be like defending a letter written during the Dreyfus affair on the grounds that the letter did explicitly accuse Alfred Dreyfus of treason against France, but simply took the occasion of his arrest to decry the treasonable attitudes of the Jews in society at large.

If poor black women are constantly being raped by rich white men, then how about they produce one case?

Professor Davidson's column — written when it was clear to everyone except Nancy Grace that three innocent men were facing 30 years in prison for a rape they did not commit — notes that she remains "dismayed by the glaring social disparities implicit in what we know happened on March 13" and says the incident "underscores the appalling power dynamics of the situation."

OK, this one they made up, but the case still illustrates a larger truth!

If anything, our awareness of the "power dynamics of the situation" is too high. What we need is a little of that skepticism liberals bring to every single criminal case that is not a white-on-black crime or a rape case involving Bill Clinton.

The truth, as opposed to the larger truth, is that the allegedly powerful white males are at risk of losing their freedom at the hands of a lunatic accuser and a power-mad prosecutor. Meanwhile the allegedly powerless poor black woman has destroyed people's lives with her false accusations, for which she will walk away scot-free.

Don't liberals ever have to pony up at least one example of a powerful privileged white male trampling on the rights of a powerless black woman in order to keep droning on about powerful privileged white males? Every real-life example invariably turns out to be a hoax, among the most spectacular the Tawana Brawley case and now the Duke lacrosse case.

According to the Los Angeles Times — in an article about another hoax "hate crime" on a college campus — false reports of racist hate crimes on college campuses have averaged about one a year for 20 years.

Liberal professors believe that crying wolf is valuable for calling attention to the societal problem of wolves, even though there's never a wolf in any particular case. Evidently, awareness of an alleged societal ill — of which we have no actual examples — is worth ruining the lives of three innocent people. After all, they're just powerful white men.

At the next White Males of Privilege meeting, someone ought to bring up how they can use their vast power to win the right not to be put on trial for crimes they didn't commit.
Gwynn-win situation in Hall voting

By Lyle Spencer / MLB.com


SAN DIEGO -- On a bright, flawless day perfectly suited for the most perfect ballplayer this city has seen, Hall of Famer Tony Gwynn -- it's part of his name now -- kept coming back to what he called validation.

Drawing 97.6 percent of the votes from the Baseball Writers' Association of America, Gwynn joined Cal Ripken Jr. as the lone Hall of Fame choices for 2007. And Gwynn did it his singular way, one line-drive hit at a time until a Cooperstown plaque had been constructed for all time.

"I'm getting the ultimate compliment now," Gwynn said on Tuesday. "And I can raise the flag a little for the little guy, the contact guy. There's a place for a guy who gets on base two times, steals a base. If it means being a Punch-and-Judy spokesman, I'm more than willing to do that.

"I enjoyed being the type of player I was, and I'm going to enjoy being on a soapbox until July for that type of player."

Gwynn was the type of ballplayer who killed you softly, one hit at a time. He was at the opposite end of the spectrum from Mark McGwire, who crushed home runs but whose association with performance-enhancing substances did not endear himself to voters. McGwire finished ninth with 23.5 percent of the vote.

Gwynn said he did not mind being in the shadows of the McGwire controversy, voicing his opinion that Big Mac deserves Hall of Fame validation and that ultimately, he feels, it will come his way.

But this day was about Gwynn and Ripken, two of a kind, men who honored the game from Day 1 to the finish, embodying character and commitment, as endearing as they were enduring.

Ripken received 98.53 percent of the vote and was named on 537 ballots, breaking the previous record of 491 by Nolan Ryan in 1999. Only Tom Seaver (98.83) and Ryan (98.79) claimed a higher percentage than Ripken, and Gwynn's 97.6 is seventh all-time.

"Tony's a Hall of Famer," a beaming Trevor Hoffman said, standing under the afternoon sun at PETCO Park as Gwynn made the interview rounds. "That's so cool.

"Integrity of the game is still a thing that needs to be at the forefront of the process. He talked about validation and work ethic, and this day validated everything he did."

Baseball's all-time career leader in saves, Hoffman came to the Padres in 1993 with Gwynn at mid-career, still evolving as he began to drive the ball more often and drive in more runs.

Hoffman eventually assumed Gwynn's role as the clubhouse leader, welcoming new players to the cast and showing the way with an extraordinary commitment to professionalism.

"Seeing a guy of his stature hitting off a tee at 2 o'clock in the afternoon ... that makes an impression on you," Hoffman said. "I learned a lot just from observing Tony.

"I'm just glad I didn't have to face him."

Not quite three hours after getting the news from BBWAA secretary-treasurer Jack O'Connell over the phone at his home, Gwynn appeared Tuesday afternoon in front of about 1,200 fans at PETCO Park.

Club personnel, broadcasters, former manager Bruce Bochy and Gwynn's San Diego State baseball team applauded Gwynn and his family in a ceremony in the Park at the Park beyond the center-field wall at PETCO Park.

The city's sports centerpiece for 20 years, until his retirement in 2001, Gwynn maintained his composure until he was asked about his late father, Charles Gwynn.

"I think he'd be pretty proud today," Gwynn said, fighting back the tears. "I think he'd be pretty darn proud."

That brought a warm ovation from the crowd, which evoked responses from Gwynn on several occasions with shouts of "We love you, Tony."

"I love you guys, too," he said, with the same kind of feeling he brought to 2,440 Major League games in a Padres uniform.

Gwynn holds that club record and many more -- at-bats (9,288), batting average (.338), hits (3,141), doubles (543), triples (85), runs batted in (1,138), runs scored (1,383), walks (790) and stolen bases (319).

He is one of 17 players to have played at least 20 seasons with one club. Ripken is also on the list, having spent 21 seasons with the Baltimore Orioles.

Gwynn charted his course to Cooperstown, N.Y., early on and never wavered in his pursuit of perfection in his chosen craft.

Racing through the team's farm system after getting drafted in the third round in 1981, Gwynn joined the Padres in Philadelphia on July 19, 1982, and found his name on manager Dick Williams' lineup card that night, batting fifth and playing right field.

Answering the challenge, Gwynn banged out the first two of his 3,141 hits -- a double to center off Sid Monge and a single to center off Ron Reed.

Gwynn stayed right where he was, as constant and as cool as the Pacific Ocean breezes, for two decades. He made 15 All-Star teams, winning eight batting titles -- matching Honus Wagner's National League record -- while finishing in the top 10 for 15 consecutive seasons.

His .338 career average is the best in the sport since native San Diegan Ted Williams retired his .344 average in 1960.

When he hit .394 in the abbreviated 1994 season -- Gwynn was convinced .400 was his destiny had the season gone to its conclusion -- it was baseball's highest average since Williams' epic .406 in 1941.

"I really think I would have [hit .400]," Gwynn said. "You're talking 12 years ago. I was locked in. I really thought I could do it."

Only Ty Cobb and Nap Lajoie reached 3,000 hits with fewer at-bats. Gwynn made it happen on Aug. 6, 1999. The next day, Gwynn's American League contemporary, Wade Boggs, smacked hit No. 3,000.

Born May 9, 1960, in Los Angeles and raised in nearby Long Beach, Anthony Keith Gwynn grew up admiring the Dodgers' spectacular center fielder, Willie Davis.

"I got to sit down with him in Qualcomm [Stadium] about 10 years into my career," Gwynn said. "That was an experience. I hope one day I can be that guy to somebody out there."

Improving defensively by leaps and bounds, Gwynn claimed five Gold Gloves to go with the seven Silver Slugger awards, making all the right plays in right field -- and occasionally in center.

He ran the bases with a bold intelligence, stealing as many as 56 in 1987, one of his finest seasons. His best season, he felt, was 1997 when he won his final batting title at .372 with career highs in homers (17), RBIs (119), hits (220) and doubles (49).

On those occasions when he reached the biggest stage, Gwynn elevated his game in true Hall of Fame fashion.

It was his two-run bullet that drove in the decisive runs in Game 5 of a gripping 1984 NLCS against the Chicago Cubs, sending the Padres on to their first World Series.

Detroit rolled to the championship, but San Diego -- with Gwynn finishing third in the MVP balloting -- had arrived as a big-league entity.

Gwynn was 24 then. It would be 14 years before he would return to the Fall Classic with the 1998 Padres, who knocked off Houston and Atlanta in the NL playoffs.

Even as his team was getting swept by the New York Yankees, one of the greatest clubs ever assembled, Gwynn was showing his teammates -- and the world -- his grace under pressure.

He batted .500 in that World Series, celebrating his first visit to Yankee Stadium with a Game 1 home run off the facade in right field. He also stroked a pair of singles that night.

"That hit had significance for me," Gwynn said of the homer against David Wells, "because for a lot of people, it was like, 'That guy's pretty good.' It was 1998, and I was 18 years into my career."

Valuing family stability and the creature comforts of home, Gwynn takes delight in coaching baseball at San Diego State -- where he starred as the basketball team's point guard and was drafted by the San Diego Clippers in 1981 -- and also does commentary on Padres telecasts.

He accepted San Diego discounts to remain with the Padres throughout his career -- even at down times when the club struggled and those close to him were urging him to explore greener pastures.

"I loved the environment," he said, simply. "This is where I wanted to be."

This served to endear Gwynn even more with a community of fans that embraced him as none other in the city's rich sports history.

It is fitting that he is the first Hall of Famer to have spent his entire career with the Padres.

Cooperstown is enriched by the arrival of the graceful Gwynn.
From The Boston Globe

No ravin' for Colts
Baltimore still bitter about teams' flight



BALTIMORE -- There are still scars here, nearly 23 years after the Colts left Baltimore for Indianapolis. Diehards will always bleed blue and white.

"They did us dirty," said Manny Spanomanolis, owner of Club 4100 in the blue-collar Brooklyn Park section.

With Sinatra on the jukebox and Unitas on the walls, it's always 1958 here. Seniors sit in the same booths under the same sepia-toned Baltimore Colts pictures and talk about plays hiked when Ike was President.

"Unitas used to sit right there drinking Schlitz," said white-haired Bob Francis, pointing to a corner table. Francis said he was a Colts season ticket-holder from 1957 until team owner Robert Irsay sneaked the team out of Baltimore in the middle of the night in 1984.

"Nobody bothered him when he came in here; he could relax," said Francis. "He was friends with everybody. If you were here Sept. 11, 2002, at roughly 4:30 p.m. -- the day that [Unitas] died -- you would not have seen a dry eye in the place. I hate to say it's a shrine, but it is."

Baltimore is still Unitastown, and for most people, that horseshoe on the helmet is really a capital U. There's the bigger-than-life Unitas statue in Unitas Plaza outside M&T Bank Stadium, where the Ravens will host the returning Colts in a divisional playoff game Saturday. It's a local custom that fans streaming into the stadium rub Johnny U's famous black hightops for luck. They've been rubbed so much that the bronze shows through.

There's a Johnny Unitas Stadium at Towson University. Unitas bobblehead dolls outsell such icons as the Baltimore-born Babe Ruth and working-class hero Cal Ripken at the Sports Legends at Camden Yards museum, which features the Johnny Unitas collection -- including the bed he was born in.

But it's the old haunts where the blue and white come to life.

Tom Matte, the Baltimore Colts halfback, walks into Club 4100 greeting everybody by name, just as he's done for the last 40 years. He's been a color announcer the last 10 years for the Ravens, who arrived in 1996 after cameo appearances by the United States Football League's Baltimore Stars and the Canadian Football League's Baltimore Stallions earlier in the decade.

Matte said covering a Ravens-Colts game was difficult.

"I made a couple of mistakes and started rooting for the Colts again because that was such an integral part of my life," he said. "It's that horseshoe. The Super Bowl championship ring we have on from 1970 is the horseshoe. Hey, I wish [Indianapolis quarterback] Peyton Manning well -- he's a great guy; I know his father well -- but as far as that franchise, we're not part of it. We don't need to have our records up there."

Matte is best remembered for taking over at quarterback when Unitas and Gary Cuozzo were hurt prior to the NFL Western Conference championship against Vince Lombardi's Green Bay Packers Dec. 26, 1965. With the plays scrawled on his vinyl wristband, he forced overtime before a questionable field goal gave the Packers a 13-10 victory. The wristband wound up in the Pro Football Hall of Fame in Canton, Ohio.

"The only thing I wish they would've done was left the name Baltimore Colts here," said Matte. "Take a look at all the memorabilia that's in the Hall of Fame -- it's under Indianapolis Colts. John Unitas was called an Indianapolis Colt. John Unitas was a Baltimore Colt.

"Indianapolis has not considered us alumni. They have not kept in touch with us. They haven't even sent us mailers of what's going on."

Madge Stanley has been a 4100 Club waitress for the last 40 years. She remembers that on Sundays, three buses of fans would depart for the games.

"It was wild, a real Colts bar," said Stanley. "If they lost, the fans would drink more. There was a whole lot of players, they'd eat together. They were very approachable. You could walk up to them at any time and they'd talk to you. They were very much into the community. Now I root for the Ravens and against the Colts. The only thing that bothers me is that horseshoe on the helmet. That bothers me."



Feeling of betrayal

It was a snowy December night in 1984 that a fleet of Mayflower moving vans took the Colts away from Baltimore.

George Mills, a retired television technician, was one of the very few on scene in suburban Owings Mills when the vans rolled.

"It was heartbreaking," he said. "Irsay promised to stay in Baltimore just a week before. There were no people there. It was 3 o'clock in the morning. I'm 75 years old, so I can't get emotional. It's a business world.

"What disturbs me is that we went to Canton to see John Mackey inducted into the Hall of Fame, I got my camera up there and I'm shooting all the statues and it says 'Indianapolis Colts' on the bottom. I made some comment, and there's a guy standing next to me and he says, 'I think that's terrible, son.' It was Gale Sayers."

At Sports Legends, Unitas gets his own section. Visitors can view his shoulder pads, No. 19 jersey, and helmet, and see the football he used for his last Colts pass, a touchdown to wide receiver Eddie Hinton.

They can also listen to a miked Unitas actually calling a play. Hovering over everyone is a huge blow-up of the Sports Illustrated cover with Unitas and the headline, "The Best There Ever Was." The bow-legged, crew-cut icon threw at least one touchdown pass in 47 consecutive games, won the MVP three times, and was the first quarterback to throw for 40,000 yards.

John Unitas Jr. was a ballboy on his father's team. He loved training camp.

"Back then, they played for fun," he said. "The trainer used to walk around with a flashlight at 11 at night, and I'd walk around with him. The players used to be out drinking and they'd put pillows stuffed in their beds. They'd all be smoking Camels with no filters, drinking beer, and having the best time of their lives. If they had a busted-up foot, they'd still play.

"They were just down-to-earth guys. My dad couldn't believe how great the fans were. He was astounded that at intrasquad scrimmages, they would have 40,000 fans. What's missing today is players come into town, they don't live there. People don't put their roots down."

Unitas soured on the Colts' management in 1972 when he wasn't allowed to finish his career in Baltimore.

"A reporter friend called and said, 'John, [you've been] traded to San Diego,' " said his wife, Sandra. "It was so inconsiderate, so horrible for fans."

Colt Hall of Fame halfback Lenny Moore says he was mistreated by the Indianapolis Colts as well. He was working for the Baltimore Colts in community relations when they abruptly left town. "I was temporarily laid off, and that's the last I ever heard from them at all," he said. "Not a letter. Nothing."

An old Colt never forgets. Finding an Indianapolis Colts fan in Baltimore is as hard as finding someone who thought Ripken was a slacker.

When the Colts left town, many fans started rooting for the Washington Redskins and Philadelphia Eagles until the NFL returned with the Ravens. The Ravens, they love to point out here, have already captured the Super Bowl. Indianapolis has not.

Rooting against all things Indianapolis is a civic duty.



'Part of the community'

Today in Baltimore, there is little evidence of the Colts' existence. Memorial Stadium was demolished in February 2001 and is now a YMCA and senior housing complex. The letters from the stadium facade, "Time Will Not Dim the Glory of Their Deeds," and the urn carrying dirt from all overseas American military cemeteries have been moved outside Oriole Park.

The Colts offices and practice fields in Owings Mills are now part of Villa Julie College. The Ravens built a state-of-the-art facility a few miles away in Owings Mills on 32 acres in October 2004.

The Hollywood Diner -- the same one used in the movie "Diner" -- has been moved near City Hall. The 1982 Barry Levinson comedy featured a group of Baltimore Colt-obsessed fans in 1959.

Tracy Hunt, the diner cashier, remembers the night the Colts left. "I was about 9," she said. "My mom woke me up and said, 'The Colts are gone.' She was upset. She was saying, 'It's not right.' I was happy -- it was snowing, and we got the next day off."

Hunt says she lives near M&T Bank Stadium and can hear the public address announcer from her living room. "The day they put the John Unitas statue there, I couldn't even get to my house," she said. "There was so much traffic."

Although the Ravens beat the New York Giants in Super Bowl XXXV in 2001, it wasn't the same as in 1958, when Unitas led the Colts 80 yards in an overtime victory against the Giants in what has been called "the greatest game ever played."

The Pro Football Hall of Fame credits the game with sparking the NFL's popularity.

"[It] finally gave Baltimore pride," said John Ziemann, deputy director of Sports Legends at Camden Yards. "Before Unitas, people said, 'Let's face it, we're nothing more than a whistle-stop between Philadelphia and Washington, D.C.' Then when we won the '58 championship game, we finally had something to cheer about, and Johnny Unitas and the Baltimore Colts did that."

Ziemann also added several questions for the famous quiz Steve Guttenberg's character, Eddie, gives to his fiancee in "Diner," including, "What were the Colts' original colors?" The answer: Green and white. Ernie Accorsi, retiring general manager of the Giants and a Colt fanatic growing up, wrote most of the questions.

Ziemann had been a member of the Baltimore Colt marching band since 1962 and now is president of the Ravens Marching Band. He and Unitas became friends early on.

"It's not like it is now," he said. "In 1963, my appendix exploded. I was in bad shape in the hospital. One of the nurses came in and said, 'Johnny U is going to see you. And I said, 'So is the queen of England.' He came in and said, 'What the hell did you do now?' and stayed three hours.

"They were part of the community."



Moving remembrances

There is a Baltimore Colt section at Sports Legends that dwarfs the Ravens' section. Part of the exhibit is the back of a Mayflower truck, and audio and radio from the night Baltimore cried.

Moving trucks arrived at the suburban offices when nobody was around.

"I hate Indiana Mayflower," said Ziemann. "Baltimore Mayflower didn't know anything about it.

"But the Civil War is over. I got closure. We beat 'em to a Super Bowl championship and we got a better stadium."

Unitas used to show up at Ravens games against the Colts wearing a Lithuanian baseball cap, his son said. He never forgave Bob Irsay for moving the team.

"John owned a restaurant called the Golden Arm and he had a Bob Irsay room -- the bathroom," said Ziemann. "That's what John thought of him."


Again Batting Cleanup

By Thomas Boswell
Wednesday, January 10, 2007

Perhaps Cal Ripken epitomizes essential human values, like fidelity to a code of duty and honor. Or maybe he's just a decent guy who showed up for work every day, signed a lot of autographs and didn't cheat -- a very low hurdle for sainthood. Either way, Ripken always has been exactly what baseball needed, especially in its darkest times.

From his first day in the big leagues in 1981 until he was voted into the Hall of Fame yesterday with the third-highest percentage ever, Ripken always has been baseball's perfect answer -- even before the sport knew the ugly question. Yes, he's at it again. In an age when jocks show up at midnight in a white Hummer limo, Ripken will ride into Cooperstown in July on a white horse at high noon.

As Barry Bonds stalks Hank Aaron all summer, like Rambo on Bambi's trail, Ripken is positioned to steal the stage: the accidental antidote, the hero by happenstance. In '95, after the sewage spill of a canceled World Series, baseball needed a stench-free symbol of dependability, a hometown boy who understood responsibility and an adult who grasped that players simply were custodians of a game owned by its fans.

The sport got all those things, as the Orioles shortstop broke Lou Gehrig's record for consecutive games played. Now history is seeking him out again. The steroid-soaked stage is set. Baseball's need for a man with a simple sense of honor is profoundly obvious. Cue Cal. Now we realize that all those years when it never crossed Cal's mind to skip even a single game, something else never crossed his mind either -- cheating. Now, his 431 home runs look larger as the totals of others seem smaller. And we know why Cal never hit a ball 475 feet in his life. "I don't think my numbers are deflated because some other numbers may be inflated," Ripken told me last week.

Just as Mark McGwire brought more unwelcome headlines to the sport yesterday -- by receiving a dismal 23.5 percent of the Hall vote -- Ripken's election immediately helped the cleanup process. There to aid him was Tony Gwynn, the eight-time batting champ who led the league in smiles for 20 straight years.

How does baseball catch these undeserved breaks? For much of the last 20 years, baseball's bosses, owners and union have tacitly condoned and virtually encouraged an epidemic of illegal and dangerous performance-enhancing drugs. And the two superstars of the last quarter century who are least likely to have cheated -- who, if anything, were nagged for not having quite enough "power" -- arrive right on schedule. On an occasion when he was universally contrasted with Too Big Mac and Balco Barry, Ripken tried to make one point perfectly clear -- in his mind, at least, virtue had nothing to do with it. "To me there was no fork in the road. There was no choice. Those things scare me to death," Ripken said last week when asked about playing clean.

Lest he get too much credit for mere honesty, he adds: "I never had the options. The Orioles were thought of as a bunch of goody-two-shoes. After those guys in Kansas City had [cocaine] problems, our team voluntarily agreed to have drug testing. Eddie [Murray] said, 'Just go along with it.'

"When I came into the big leagues [in 1982, his first full season], the locker room had ashtrays, spittoons and candy bars," adds Ripken, chuckling at a lifestyle little changed since the days of the Babe. "Then the blenders for the protein mixes replaced them. Maybe I had the old-school naive view. People think I had this nutritional regimen. Yeah, my regimen was the four food groups."

Ripken may know plenty about the use of performance enhancers in baseball. What veteran star player wouldn't? "The truth has started to come out. But only parts have come out to this point. The overall thing just saddens me. But it's reality. It is what it is," Ripken said. "I don't resent being asked about it. It's all part of the process of cleaning up. The truth will be known. Unfortunately, all the stories probably haven't come out yet. I'm for the stories being told."

But don't expect to hear them from him. "I don't think it's my place to judge," he said.

However, the day of his election to Cooperstown was the proper time for Ripken to put the primary moments of his career in perspective. Making the Hall ranked only third.

"Catching the liner for the last out of the '83 World Series was my best moment as a player because you have the joy of completion. But taking that spontaneous lap in '95 was my best human moment," Ripken said.

Playing in his 2,131st consecutive game on Sept. 6 that season, Ripken circled the Camden Yards warning track, shaking the hands of countless fans, many of whom already had his autograph under glass back home. Or did they all? If they did, they probably received that souvenir near midnight in a darkened ballpark with just enough light left to allow the line snaking beside the Oriole dugout to find its way to Cal's indefatigable pen.

"I didn't want to delay the game," Ripken said. "But Bobby [Bonilla] and Raffy [Palmeiro] pushed me out of the dugout. They said, 'If you don't take a lap, we'll never get this game started again.' At the end of the lap I could care less if they started the game or not."

"We need each other in this life," said Ripken, referring to the bond between players and fans, which baseball constantly seems to stretch to the breaking point. "Taking the lap helped to pull the experience together. I was the beneficiary."

Ripken always feels like he's the beneficiary. And he usually is. To a point, his good luck -- his knack of being in the right place at the right time to fall into a bed of roses -- even embarrasses him. But other people, and baseball, always seem to be getting even more in these sappy Ripken love-fests. Is the simple life the win-win life?

These days, Ripken builds baseball at the grass-roots level by teaching the game to kids and owning minor league teams. It's work he loves and it suits him. "When you're a player, the good seasons go by fast. The bad ones seem to take forever," Ripken said. "The last five years have seemed like the fastest of my life."

To summarize what he does these days and how people should imagine his various projects, Ripken puts his fingers a fraction of an inch apart. "This many can be major leaguers," he said. Then he spreads his arms as wide as he can and grins. "This many can love the game."



Did the 9/11 Commission receive all the documents it requested?

Davis Releases Berger Report

January 9, 2007

By David Marin (202)225-5074

Washington, D.C. – Oversight and Government Reform Committee Ranking Member Tom Davis (R-VA) released the following statement today on a committee report that sheds important new light on Sandy Berger’s theft of classified documents from the National Archives. The report makes it clear that the full extent of Mr. Berger’s document removal can never be known, and consequently the Department of Justice could not assure the 9/11 Commission that it received all responsive documents to which Mr. Berger had access.

“My staff’s investigation reveals that President Clinton’s former National Security Advisor Sandy Berger compromised national security much more than originally disclosed,” Davis said. “It is now also clear that Mr. Berger was willing to go to extraordinary lengths to compromise national security, apparently for his own convenience.

“The 9/11 Commission relied on incomplete and misleading information regarding its access to documents Mr. Berger reviewed. No one ever told the Commission that Mr. Berger had access to original documents that he could have taken without detection.

“We now know that Mr. Berger left stolen highly classified documents at a construction site to avoid detection. We know that Mr. Berger insisted on privacy at times to allow him to conceal documents that he stole. One witness with a very high security clearance believed he saw Berger concealing documents in his socks.

“Mr. Berger’s review of documents did not conform to the usual requirements for reviewing classified documents in a secure facility and under strict supervision. The Archives staff’s failure to contact law enforcement immediately and their contacts with Mr. Berger about the missing documents compromised the law enforcement effort.

“The compromised law enforcement effort contributes to reduced confidence that the 9/11 Commission received all the documents it requested. The execution of a search warrant before Mr. Berger knew there was an investigation would have either located additional documents or enhanced confidence that he stole no others than those he admitted to taking.
“The public statements of the former chief of the public integrity section, Noel Hillman, were incomplete and misleading. Because Mr. Berger had access to original documents that he could have taken without detection, we do not know if anything ‘was lost to the public or the process.’


“The Justice Department’s assertion that Mr. Berger’s statements are credible after being caught is misplaced. One wouldn’t rely on the fox to be truthful after being nabbed in the hen house. But the Justice Department apparently did.”

Tuesday, January 09, 2007

From Newsday.com:
Bush wimps out as gangs cross our border
By James Pinkerton


So American troops are surging in Iraq, and withdrawing along our own border. What's wrong with this picture? Nothing, say the journalistic and political elites.

Yet, before anything else, what we need is a surge of troops on the U.S.-Mexican border, which is a lot closer to home than Baghdad. On Jan. 6 The Arizona Republic reported that a small team of National Guard troops "abandoned their post near the border southwest of Tucson as four gunmen approached from Mexico."

American authorities assured the newspaper that this was all fine, all part of the plan. It seems that the National Guard, which President George W. Bush sent to the border with great fanfare last year, is on guard only to perform administrative and logistical functions - it's not supposed to do any actual border enforcement.

In the supposed-to-be-soothing words of Border Patrol spokesman Mario Martinez, "There was no attack" against the Americans in uniform. Why not? "In order to not be detected, they moved to a safer location," Martinez cooed. "That's exactly what we want them to do." That's one way to avoid confrontation: Just keep retreating. Works for a while.

Amazingly, this border incident, or lack thereof, has received almost no attention from the Mainstream Media. The New York Times, for example, has not mentioned it. The Washington Post ran a 42-word item on the Tucson non-incident, but the Powertown paper doesn't really care about border security, either.

Indeed, the Post made its journalistic priorities manifest yesterday when it published a 1,500-word multiple-handkerchief story on illegal immigrants who don't get lawyers as they face deportation hearings. The clear point of the article was to encourage more lawyers to take up the cases of illegals on a pro bono basis. And no doubt some lawyers will do just that, confident they will be earning brownie points with the Post and its readership.

But in fairness to the Mainstream Media, the journo-establishment would cover this Mexican invasion of America - the larger story, of course, is the millions of illegals traveling across the border every year - if it were ever to get the signal that the American government took this undercovered onslaught seriously.

In a different era the American commander in chief took seriously his constitutional oath to "preserve, protect and defend" these United States. In 1916, after the terroristic forces of Pancho Villa crossed into American territory, President Woodrow Wilson sent John "Black Jack" Pershing and the U.S. Army into Mexico on a punitive retaliatory expedition. That's how a country convinces outsiders that it cares about its own national sovereignty. But, in contrast to the 28th president, the 43rd president seems to be preoccupied with Iraq, not Arizona; extra U.S. troops are going to go 7,000 miles from home, even as our own homes are unguarded.

Indeed, Bush and the Democrats who now control Congress seem to agree that there should be less enforcement along the U.S.-Mexico border. So in 2007 we can expect a cancelation of the once-promised border wall. We also can expect a guest-worker/slow-motion-amnesty deal. Bush and his new best friend forever, Sen. John McCain (R-Ariz.), are eager for such a deal to show the D.C. establishment that they can work with Democrats at least some of the time - even as they seek to jam the Dems on Iraq.

But, of course, both parties in Washington are experts at the game of selling out ordinary Americans - in the name of foggy abstractions such as "bipartisanship" and "nation building."

What Americans on the southwestern border need is political leadership that will stand up for them, not ignore them. And soon enough, as the immigration invasion continues, all Americans will figure out that they, too, need border protection.

And one day, even the Mainstream Media will realize that the impending demographic transformation and dissolution of America is a big story. Maybe.

James P. Pinkerton's e-mail address is pinkerto@ix.netcom .com.
From The American Conservative:
Selective Amnesia

The pundits who sold the Iraq War change their tune
and bury their records.

by Glenn Greenwald

When political leaders make drastic mistakes, accountability is delivered in the form of elections. That occurred in November when voters removed the party principally responsible for the war in Iraq. But the invasion would not have occurred had Americans not been persuaded of its wisdom and necessity, and leading that charge was a stable of pundits and media analysts who glorified President Bush’s policies and disseminated all sorts of false information and baseless assurances.

Yet there seems to be no accountability for these pro-war pundits. On the contrary, they continue to pose as wise, responsible experts and have suffered no lost credibility, prominence, or influence. They have accomplished this feat largely by evading responsibility for their prior opinions, pretending that they were right all along or, in the most extreme cases, denying that they ever supported the war.

Michael Ledeen, a Freedom Scholar at the American Enterprise Institute and a contributing editor to National Review, chose the boldest option. In response to a Vanity Fair article about the swarms of neoconservatives abandoning the administration and the war as both become increasingly unpopular, Ledeen emphatically denied that he backed the invasion in the first place. Writing on National Review’s blog, The Corner, Ledeen claimed, “I do not feel ‘remorseful,’ since I had and have no involvement with our Iraq policy. I opposed the military invasion of Iraq before it took place.”

It is difficult to overstate the audacity—and the mendacity—of Ledeen’s claim. In August 2002, he wrote a scathing article in National Review following an appearance by Brent Scowcroft on “Face the Nation,” in which the former national security adviser argued against the invasion. Ledeen devoted his entire column to mocking Scowcroft’s concerns:

It’s always reassuring to hear Brent Scowcroft attack one’s cherished convictions; it makes one cherish them all the more. … So it’s good news when Scowcroft comes out against the desperately-needed and long overdue war against Saddam Hussein and the rest of the terror masters.

Declaring that “Saddam is actively supporting al Qaeda, and Abu Nidal, and Hezbollah,” Ledeen wrote, “the Palestinian question can only be addressed effectively once the war against Saddam and his ilk has been won.” In response to Scowcroft’s concern that invading Iraq could “turn the whole region into a caldron and destroy the War on Terror,” Ledeen retorted, “One can only hope that we turn the region into a cauldron, and faster, please. If ever there were a region that richly deserved being cauldronized, it is the Middle East today.”

On countless occasions, Ledeen called for the invasion to start as soon as possible. In an August 2002 interview with FrontPage Magazine, when Jamie Glazov asked when the war should begin. Ledeen answered, “Yesterday.”

He appeared on MSNBC’s “Hardball” on Aug. 19 to complain again that the war had not started: “I think that if President Bush is to be faulted for anything in this so far, it’s that he’s taken much too long to get on with it, much too long.”

The following month, in the Wall Street Journal, Ledeen wrote, “Saddam Hussein is a terrible evil, and President Bush is entirely right in vowing to end his reign of terror. If we come to Baghdad, Damascus and Tehran as liberators, we can expect overwhelming popular support. [I]t is impossible to imagine that the Iranian people would tolerate tyranny in their own country once freedom had come to Iraq. Syria would follow in short order.”

While it is difficult to be more dishonest than Ledeen, it is difficult to be more wrong than Charles Krauthammer. Prior to the invasion, Krauthammer used his various media platforms—his column at the Washington Post and his almost daily appearances on Fox News—to warn that Iraq was rapidly building up its WMD capabilities and that the U.S. risked running out of time if it did not invade immediately. He assured Americans that the war would pay for itself with oil revenues and that Iraqis would greet Americans as liberators.

In an Aug. 26, 2002 Time column, Krauthammer crystallized the issue at the heart of the Iraq discussion: “The growing debate on invading Iraq hinges on Saddam Hussein’s weapons of mass destruction.” In his Washington Post column of Oct. 7, Krauthammer argued, “Hawks favor war on the grounds that Saddam Hussein is reckless, tyrannical and instinctively aggressive, and that if he comes into possession of nuclear weapons in addition to the weapons of mass destruction he already has, he is likely to use them or share them with terrorists.”

According to Krauthammer, the WMD threat was so imminent that, as he argued on Fox News on Nov. 8, 2002, waiting a matter of months could mean that Saddam obtained nuclear capability: “Under this Resolution, if Blix does not have to report back to the Security Council for 105 days, do the math. That’s the 21st of February. That is a very long time away. And it could be at the end of our window to attack.” In his Nov. 15, Post column, Krauthammer rang the alarm yet again: “We’ve been given time, but so has Hussein. Time to hide his weapons. Time even to distribute them through Iraqi agents—aka diplomats using diplomatic pouches—into the heart of the enemy. (We still don’t know where last year’s anthrax came from.) Time to give the stuff to terrorists who, as Osama bin Laden’s tape suggests, are now prepared to make common cause with Hussein.”

Now, as the war he demanded lies in ruins, Krauthammer uses his Post column to revise his record: “Our objectives in Iraq were twofold and always simple: Depose Saddam Hussein and replace his murderous regime with a self-sustaining, democratic government.” His hysterical obsession with WMD has been whitewashed from his pundit history, and in its place is a goal that Krauthammer barely mentioned prior to the war.

As recently as Oct. 28, 2005, he mocked foreign-policy realists for their belief that democracy could not take root in Iraqi culture, insisting that “the overwhelming majority of Iraq’s people have repeatedly given every indication of valuing their newfound freedom.” But now, Krauthammer claims that the war he urged is failing because Iraqis are incapable of understanding what freedom is about:

[T]he problem here is Iraq’s particular political culture, raped and ruined by 30 years of Hussein’s totalitarianism. Is this America’s fault? No. It is a result of Iraq’s first democratic election. It was never certain whether the long-oppressed Shiites would have enough sense of nation and sense of compromise to govern rather than rule. The answer is now clear: United in a dominating coalition, they do not.

That the failed war is the Iraqis’ fault has become a leading neoconservative excuse. On Nov. 3, Paul Mirgenoff of the Powerline blog blamed the Iraqis for electing the wrong prime minister— “The Iraqis voted in the Shia-militia-friendly Maliki government, thereby making it difficult, if not impossible, for the U.S. to work with the current government to curb sectarian violence.” But in April, Mirgenoff lavished the Iraqis with praise for that very choice, with his “acknowledgement that the selection of Jawad al-Maliki to be Iraq’s prime minister is good news” because Iraqis were “resisting Iranian pressure to back Ibrahim al-Jafari” and thus “stood up for a unified Iraq.”

This is common practice in the world of punditry: most war advocates continue to parade around as foreign-policy experts even though, with the rarest exception—an Andrew Sullivan here or there—virtually none has acknowledged his error.

The dynamic is also evident among former Bush supporters now trying to distance themselves from the unpopular president. Many who loyally supported and even venerated Bush when he was riding high now pretend to have recognized his flaws all along.

In her Oct. 26, 2006 Wall Street Journal column, Peggy Noonan tried to demonstrate how intellectually honest she is by claiming that well-connected Republicans thought the GOP deserved to lose the midterm election. For the party’s woes, she blamed the president: “They want to fire Congress because they can’t fire President Bush.” Trying to explain Republican dissatisfaction, she wrote:

Republican political veterans go easy on ideology, but they’re tough on incompetence. They see Mr. Bush through the eyes of experience and maturity. They hate a lack of care. They see Mr. Bush as careless, and on more than Iraq—careless with old alliances, disrespectful of the opinion of mankind. ‘He never listens,’ an elected official who is a Bush supporter said with a shrug some months ago.

Along the way the president’s men and women confused the necessary and legitimate disciplining of a coalition with weird and excessive attempts to silence Republican critics. They have lived in a closed system. They now want to open it but don’t know how. Listening is a habit; theirs has long been to suppress.

But in early 2004, when arguing for President Bush’s re-election, Noonan employed her trademark effusiveness to glorify the president’s character and pay homage to his humility and great sense of responsibility:

Mr. Bush is the triumph of the seemingly average American man. He’s normal. He thinks in a sort of common-sense way. He speaks the language of business and sports and politics. You know him. He’s not exotic. But if there’s a fire on the block, he’ll run out and help. He’ll help direct the rig to the right house and count the kids coming out and say, ‘Where’s Sally?’

He’s responsible. He’s not an intellectual. Intellectuals start all the trouble in the world. And then when the fire comes they say, ‘I warned Joe about that furnace.’ And, ‘Does Joe have children?’ And ‘I saw a fire once’ ...

Bush ain’t that guy. Republicans love the guy who ain’t that guy. Americans love the guy who ain’t that guy

So in just over two years, Bush went from being a diligent Everyman to a know-it-all tyrant who listens to no one, stamps out dissent, and is irresponsible with his duties. Noonan now depicts Bush in this way while pretending that she never oozed praise.

But her reversal isn’t as brazen as the pro-war, pro-Bush pundits who have begun advocating the very views they spent the last three years demonizing. Ever since the U.S. invaded, those who pointed out that we were achieving little more than mass death, destruction of American credibility, conversions of moderate Muslims into extremists, and a serious weakening of our military were vilified as America-hating terrorist allies who wanted us to lose. Those who simply pointed out that the war effort wasn’t going according to promise were derided as cut-and-run “defeatocrats” who lacked the intestinal fortitude to fight.

Yet pundits who equated dissent with treason are now declaring the war to be a failure and are advocating withdrawal without bothering to reconcile their current views with their previous allegations.

New York Post columnist Ralph Peters wrote in November 2005 that a failure to see the mission through to completion would tell the world that “Americans are cowards who can be attacked with impunity.” He further argued that “a U.S. surrender would turn al Qaeda into an Islamic superpower” and that “[i]f we run away from our enemies overseas, our enemies will make their way to us. Quit Iraq, and far more than 2,000 Americans are going to die.”

But on Nov. 2, 2006, Peters wrote a column in USA Today announcing, “Iraq is failing. No honest observer can conclude otherwise. If they continue to revel in fratricidal slaughter, we must leave.” The same columnist who warned just a year ago in the most alarmist tone that withdrawal would gravely endanger the U.S., now claims that “Contrary to the prophets of doom, the United States wouldn’t be weakened by our withdrawal, should it come to that.”

All of these self-proclaimed super-patriots who spent the last three years shrieking that anyone who criticizes the war is a friend of the terrorists are now being forced to admit that the war is unwinnable. But rather than acknowledging their reversal, they seek to erase the public record, both to salvage their reputations and to obscure the intensity of their attacks against those who were right. Such vitriol against critics muted debate in the first place and ensured that we stayed in Iraq, pretending all along that things were going great.

There is nothing wrong with acknowledging one’s errors and changing one’s mind. When genuine, this should be encouraged. But these pundits are not doing that. They know that they were on the wrong side of the most vital issue of the last decade, and in trying to reverse their predictions reveal themselves to be deeply flawed not only in judgment but also in character.
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Glenn Greenwald is author of How Would a Patriot Act? Defending American Values From the Bush Administration.